That is what we are talking about in the development of production agreements. We often unravel rights issues .B on music, images and script. For example, an author writes a script for a TV series. As a general rule, the copyright belongs to the author. To allow production, the author authorizes the copyright of the script to serial producers. The relatively light legal safeguards that are available under copyright believe in the strength of the television broadcast market platform. This can be explained in part by the additional benefits of a standard licensing agreement. On the one hand, the brand that surrounds a popular format, including the name of the show, can be very valuable to show licensees, as it guarantees that a certain number of spectators will already be familiar with the show. An option agreement allows a third party, usually a channel, to acquire rights to the TV series. The option agreement is defined: producers, directors and actors generally work through limited companies. Some people agree to work on the TV series, that is, they are “induced”. We prepare the corresponding agreements, called incentive letters.
Contractual terms are more complex. The production company would like control of any spin-off or additional series. Think of a cross-border agreement with a U.S. company that understands that television production contracts are no more than copyright and IP protection. We support the entire production process, which includes the establishment of an adequate corporate structure, financing agreements and agreements with producers, directors and actors. We make sure that we understand the characteristics of your project so that the production process goes smoothly. Funding agreement allowing the production company to obtain advance payments prior to royalties from a television broadcaster. The chain had the prerogative of a first refusal once production was completed. The doctrine of fusion states that some simple ideas can only be expressed to a limited extent. In these cases, the idea and its expression must merge, so that neither the idea nor its expression is protected. An example is a competitive reality show, where participants are eliminated at every turn in a row until there is only one left.
This doctrine complements the idea and espresso and prevents shows that use simple ideas from acquiring the exclusive rights to these ideas because of the limited possibilities they have for their expression. “Lexology is one of the few news feeds I watch when it enters – the information is up to date; has good descriptive titles so I can quickly see what the articles are referring to and are not too long. In addition, show licensees may have the most interest in obtaining the production know-how collected by the original creators of shows, such as how to make the format profitable, the best times to broadcast the show to attract the most spectators, and other logistics that can only be discovered by trial and error.